Someone at work recommended Gone Girl by Gillian Flynn, so I got it from Audible with one of my credits. This same person also recommended Hunger Games, so my expectations were not very high. But as it turns out, Gone Girl is a pretty good psychological thriller/mystery.
Overall the book makes some pretty strong feminist statements, as well as having some brutal social commentary about the state of the media and judicial system. It had a pretty big twist about halfway through, which I did not see coming at all, so congratulations to the author for completely fooling me. I can’t elaborate without spoiling it, so if you haven’t read it, you might want to skip the rest of this.The reader is subtley and not-so-subtley led to believe that one character is an unreliable narrator, but it turns out that the other character is really the unreliable one. It was a great example of surprising-but-inevitable. Once it’s revealed, you think, “Oh, of *course* it’s like that! I should have seen it.”
The book is presented as two different first-person points of view, which is somewhat unusual. There were no issues figuring which one was which, because each chapter was labeled with the speaker. I believe most of it was in present tense, though I think there was some past tense as well. I’d have to go back and check on that. Present tense seems to be really in vogue these days.
One thing I did not like was that at one point a character broke the fourth wall and more-or-less directly addressed the reader. I found it unnecessary. It only happened for one chapter, which made it especially odd.