Sanderson Takes Over

I’ve been trying to get through the Wheel of Time books before A Memory of Light comes out on January 8, and since I am now 20% finished with The Towers of Midnight, I think I can safely say that I am going to make it. Light! What a reading frenzy.

I was keenly interested to see what Brandon Sanderson would do with the series, and so far I’m quite pleased. I can definitely see the change in writing style (mainly in shorter sections and paragraphs and sentences), but I expected that. What I didn’t expect was the emotional impact that Sanderson brought to the series. Sanderson did something that Jordan never managed: He made me actually care about Rand for the first time since the first book. Rand’s been such an insufferable, stubbornly indecipherable butthead of a hero for so long that I frankly hoped the Dark One would win the Last Battle.

A huge increase in drama was achieved simply by actually having the characters interact with each other. When you think about it, so much of the Wheel of Time has been about the characters not interacting, and not explaining themselves, and not being forthright, and not trusting their peers. Everyone, good guys and bad, has had their own independent story going on, where they have their own plan, and they think everyone else is out to get them. That makes for some interesting points of view, conflict, and tension, but when it’s everyone and it goes on for book after book after book with no resolution, it gets a bit tedious. Of course, it might have nothing to do with Sanderson and might have been Jordan’s plan all along. You can see it starting to happen in Knife of Dreams.

Because of all the lack of communication and side plots and exposition, I haven’t really enjoyed Wheel of Time since The Shadow Rising, and the last good plot development I remember was Dumai’s Wells which I believe happened at the end of Lord of Chaos. I’ve merely been enduring the series since then.

At least until Knife of Dreams, Jordan’s last book, which was good. And now I can say that The Gathering Storm, Sanderon’s first book, is good, too. Were I to recommend the series to someone, however, I would say, "Read books 1-4, skim through books 5-6, then just skip to book 11."

Outlining The Rest of Airworld

I’ve not forgotten about Airworld. I’m outlining the remainder of the story. I find that I can only be a pantser up to a certain point (usually that point is about now, where the story needs to start moving toward a resolution), at which time I really have to sit down and figure out how to resolve things without using magical faery dust.

In this case it’s harder than I might have expected, because Airworld became  rather complex, and there are many threads flying about loose right now. I suppose this is why writers always advise you to know your ending before you start. It’s good advice, but extremely difficult for me. Unless you count something like, “Then they figured everything out. The end.”

Anyway, for those interested in the writing process, I started by writing a synopsis of the story so far, where I wrote roughly a paragraph covering each chapter. This was quite instructional in itself, because it’s the first time I’ve looked at an overhead view of the story since I started. I’ve already identified plenty of places to make revisions just from that.

After that I tried to identify the questions that were raised in each chapter and wrote those questions after the paragraph. I imagined each paragraph to be one of those old-time movie serials, where at the end the narrator says something like, “Will our hero find a way to get out of the boxcar before it plunges off the cliff? Tune in next week to find out!” And it would be in that old-timey over-excited radio voice where they speak ten times too fast. Mine aren’t that dramatic though – more like, “Will Naobi find the Council of Life?” or “Will Garath’s plan work?”

Through trial and error I’ve discovered that questions phrased to give simple yes/no answers seem to provide better focus on the plot. For example, “Will Cheton make it back to the group?” As opposed to, “How will Cheton deal with being separated from the group?” Questions with more open-ended answers leave me with too much room to make up new sections of plot, as opposed to writing along a pre-determined course.

After that I will make another pass through those questions and figure out which ones have already been answered, and which ones still need answers. That will hopefully inform the direction of the rest of the story.

Adult Fantasy–Worst Genre Name Ever

I stumbled on this post from Rachel Aaron entitled “We need a new name…” which made me laugh.

Me, "I’m a fantasy author!" (always so cool to say)

Lady, "Oh wow! So like Harry Potter?!"

Me, "No, Harry Potter’s YA, I write adult fantasy."

Lady, "…………."

Me, "NO! Not THAT kind of adult fantasy!"

This is probably one of the main reasons I’m using the name Everett Renshaw. Because it is unbelievably embarrassing to say to real people in real life that I write in a genre that the industry calls “adult fantasy.” I don’t even like telling people that I read in this genre. It would be marginally better to call it “epic fantasy” or “urban fantasy” but unfortunately I’m not writing those. Pretty much anything with the word “fantasy” in it makes me cringe and want to resign myself to a life of cubicles.

I’m thinking that I might start adopting the term “magical realism” when talking to an “unsafe” audience. Most people won’t have any idea what that means, and nobody likes to sound stupid, so they won’t ask what it is. And if someone does happen to know what it means, they’ll think I’m writing pretentious literary material. (When in fact, magical realism is … well, I better not say it or someone somewhere will feel compelled to argue about it.)

Airworld Agenda

After two whole days without writing anything (where it felt like I had about 5 hours of spare time each day), I’m back on it! However, I’m going to take a short break from Naobi and Cheton and work on some scenes from Motiva that have been in the back of my mind for a while, which will hopefully become relevant toward the end of the story. I’m also going to wait a few days before I start posting again. Thanks!

How To Keep Reading Airworld

Okay, if you want to continue to be an Alpha Reader, here’s what you need to do. Click on the link on the right that says “Register,” under Meta. (If you’re reading on a tablet or mobile device, it might be way at the bottom of the page.)

Pick a username and an email. Don’t use a fake email because it will send a password there. Copy the password in the email and click on the link below it. Enter your new username and paste the password into the box below. That will take you to your profile page, where you may want to change your password into something that you can actually remember. (It’s near the bottom of the page.) It would probably be best not to put anything secret in your profile, since this is WordPress and everybody likes to hack WordPress.

If I recognize you from your name and email, I will go ahead and put you in the Alpha Readers group and you’ll see all the Airworld posts again. If I don’t recognize you, send me a message on Facebook. (I’m assuming everyone who cares to read this is already a friend of mine on there.)

Sorry about the complications!

This Is First Publication? Really?

Soooo um, ahem. I may have screwed myself a little bit by posting the Airworld story as I go. There’s this concept of “First Publication Rights” which is apparently kind of a big deal to publishers. For some very strange reason, many of them are only interested in publishing things that have never been published before, and some of them might think that posting on the Interwebs is publishing. Oops!

I think I’m probably okay though since, 1) This is only a first draft, 2) I definitely will re-write portions, 3) my work is of such high quality that people will throw out all convention in order to publish it, ahem, and 4) according to Google Analytics, only like 8 people are seeing this.

But I need to re-think this process going forward (ugh, I used corporate speak). Apparently it’s okay to post a story if it’s protected  in some way, which is what Mary Robinette Kowal does, the Writing Excuses author who inspired me to try this in the first place. I don’t like password-protecting posts in WordPress though because it’s a pain in the butt for the author and the reader. Mary Robinette Kowal gets away with it because she is a big enough star that readers won’t mind the inconvenience. Me, not so much.

So I’ll be ruminating upon this over the weekend.

Rachel Aaron Talked To Me!

Squee! A real live fantasy author answered my question! (This was actually the second one she answered – the first one was more about my own personal insecurities though.)

This is what I asked:

Hi! Me again. Early in this thread you said: “Fantasy has changed a LOT as a genre over the past few years, and if you’re not reading modern books, you might be surprised.” I didn’t see where you had already done this, and if you did, feel free to ignore this, but I wonder if you could expand on that a little (or a lot, that’s fine too :). In your view, what’s changed about the genre? I am curious to hear your take on it. Thank you!

And this was the response (I hope she doesn’t mind me posting this):

Ohhhhh, you’ve opened the can of worms now! This is one of my soap box topics. Ahem.

I grew up reading Fantasy in the 90s and early 2000s. This means lots of Anne McCaffrey, Elizabeth Moon (I practically memorized The Deed of Paksenarrion), Mercedes Lackey, Sherri S. Tepper, and way too much Robert Jordan. I also read classics like C.S. Lewis and Tolkien.

Up until about 10 years ago, the feel of Fantasy was largely sweeping and epic. Writers took their cues from the Tolkienian influence. When people grumble about fantasy being trope ridden, they’re largely talking about this area. Thanks to growing geek culture and the mega success of several fantasy authors like Jordan, Fantasy was flooded with books that were very similar – lush, sweeping, but often laboring under the weight of their own cliche.

And then, something happened. It started in the early 90s when authors like Laurel K. Hamilton and Kim Harrison started writing books with fantasy elements like magic that were not only set in modern times, they were written more like thrillers than epic fantasy. I’m of course talking about the rise of Urban Fantasy, which exploded into the happy hobbit hole of the fantasy genre in the early 90s.

By the early 2000s, Urban Fantasy was a booming industry, meeting and then outselling its older, stuffier, dragon loving Epic Fantasy sibling. But the real kicker was the way the readership changed. Fantasy, long seen as a realm for kids and aging nerds, was now picking up a whole slew of more main stream adult readers. Combine this with the success of UF shows like Buffy and Angel and you had a serious cultural wave building.

The real kicker through was Harry Potter. HP brought money like never before into our genre, but even better, it brought readers. Kids who grew up reading HP learned from a young age that reading fantasy wasn’t just fun, it was cool. Everyone was a nerd now, and they wanted more to read, and publishing gave it to them in the form of the massive and varied selection of fantasy books no available.

With change comes innovation. Thanks to all the money that UF and then HP brought to Fantasy publishing, the door was thrown wide open. Modern fantasy is no longer defined by the tropes of its predecessors. Fantasy no longer has to be even remotely Tolkenian, or epic, or sweeping to be treated as Fantasy. The very idea of what is Fantasy (elves, a quest, etc) has been thrown completely out the window. Major publishers are taking big money risks on high concept series they wouldn’t have touched a decade ago. Fantasy books no longer resemble doorstops as a rule. The playing field is wide open!

(This is why threads on NaNo that talk about “most annoying Fantasy tropes/cliches” drive me CRAZY. I always want to go and shout HAVE YOU LOOKED AT THE FANTASY SHELVES LATELY?! Because it’s a whole new, wonderful, dazzling, diverse world out there.)

Also, the style of fantasy books has opened up enormously thanks to these influences. Where as before most fantasies were largely variations on the epic style – huge word counts, sprawling worlds, political nuance, numinous writing that was heavy on the description – modern fantasy is everything you can think of. There are huge epics like Game of Thrones, small personal dramas, fast paced adventure fantasies that read like thrillers, dark fantasy that reads more like horror, brutal military fantasy that reads like the most classic war thrillers. Fantasy is in no way a unified mass anymore. It’s this huge, diverse, beautiful genre that is so varied it’s actually hard to define any longer what fantasy really is (though we know it when we see it)

Funny enough, my books are actually considered very retro because of my quasi-Euro, quasi-Medieval setting where as if I’d tried to sell the same books in the 80s, I would have been totally out of line thanks to my urban fantasy style quick pacing. This just goes to show how much Fantasy as a genre has changed and evolved. And now, thanks to the mega popularity of Fantasy video games, we’re changing again. That’s fine, change is good. So long as writers keep bringing us amazing new ideas, Fantasy will continue to be one of the best selling genres in publishing.

Anyway, I hope this sheds some light on the subject. I’ve said many times now that I believe we’re living in a golden age of fantasy publishing where a combination of money from huge best sellers, the enormous widening of the fantasy fan base, and an increasing willingness on behalf of publishers to take risks will later be hailed as a glorious time of really amazing books. There’s fantasy everywhere, on TV, in Target (seriously, what was once a tiny rack is now a full wall of YA and adult fantasy). It’s huge, it’s flourishing, and it’s not going away any time soon. It’s truly a great time to be a fantasy writer!

(After I read this I immediately thought of Bill Pullman’s speech from Independence Day.)

Suck it, thrillers and mysteries!

I totally agree about those fantasy-trope rants against elves and princesses. Nothing I’ve seen published recently has even remotely resembled the “traditional” fantasy I remember.

P.S. I am tremendously jealous of young people who get to grow up in a world where reading a fantasy book doesn’t get them beat up in high school.

The Walking Dead, Season 3, Episode 4

A while back I was making fun of the first episode of Walking Dead, Season 2. I still think that episode kind of sucked. But I diligently carried on and the show got much better. I thought the pacing was really slow, though, and then everything happened all at once in the season finale.

So of course I had to watch Season 3. But that’s the current season, so it isn’t on Netflix. And I don’t have cable or even a television (I’m watching on an iPad), so I did something I’ve never done before: I bought Season 3 on Amazon Prime.

So far, Season 3 is ten times better than the first two put together. Just finished Episode 4, “Killer Within.” Wow. Just wow.

Comments…

Hrm.. something wonky is happening with comments. I am investigating.

UPDATE: Okay it’s working again. It was not displaying any comments, even though they were there in the system. The Facebook plugin was the culprit, so I have disabled it.